stars are dead

Introduction

The concept of "dead stars" can be interpreted in two distinct contexts: the literal astronomical phenomenon and the metaphorical reference to deceased celebrities. In the realm of astronomy, a dead star refers to a celestial body that has ceased nuclear fusion, while in popular culture, it often denotes the enduring influence of celebrities who have passed away.

Key Insights

Dead stars in the context of astronomy are characterized by their composition of rocks, minerals, and metals, with varying ages and stages of being dead, such as recently dead, mature, ancient, and archaic.
The mass and density of dead stars have been reinterpreted, setting an upper bound for their size and suggesting that the interiors of gas giants evolve into life-hosting worlds as they reach this final stage.
In popular culture, the media tends to focus on the living image of deceased celebrities rather than their actual death, often preserving their recognizable visage and overshadowing the reality of their demise.
Legal and ethical considerations arise from the use of deceased celebrities' likenesses in media and advertising, with debates on the extension of personality rights after death .
The phenomenon of dead celebrities in media narratives can create a sense of connection with consumers through the use of visual and vocal recordings, constructing persuasive messages within advertising frameworks.

Conclusion

In summary, the term "dead stars" encompasses both the scientific understanding of stars that have ended their life cycle and the cultural portrayal of celebrities whose influence persists posthumously. Astronomically, dead stars are diverse in their characteristics and represent a final evolutionary stage in stellar metamorphosis. In contrast, the cultural representation of deceased celebrities often involves a focus on their enduring image and personality rights, with their posthumous presence in media serving as a tool for narrative connection and advertising.

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Summary

Introduction

Key Insights

Conclusion

Sources and full results

Technological taxidermy: Recognisable faces in celebrity deaths

When celebrities die, media coverage tends to focus on their living incarnation, displacing the authentic face of death in favor of a recognisable famous visage that assumes characteristics of the immortal.

Stellar Metamorphosis: Dead Stars

Stars can be classified as recently dead, mature, ancient, and archaic, with different levels of "dead" depending on the star's age.

THE DEAD STARS OF POPULATION I

Massive relics of dead stars must be extremely rare, as their presence in the solar neighborhood suggests that they must have been created later than the epoch t0 of star creation.

Screen Idols: The Tragedy Of Falling Stars

Modern celebrities are a tragic figure, suspended between heroism and loss, shaped by camera and mass communication technologies.

Defining the Chemical Equilibrium of Dead Stars in Stellar Metamorphosis

In stellar metamorphosis, dead stars must be in static chemical equilibrium, but perfect equilibrium is impossible due to interactions with asteroids and hotter stars.

Stellar Metamorphosis: Maximum Mass and Density of a Dead Star

The maximum density and mass of a dead star are 8.9 2.1 g cm3 and 0.0082 0.0014 Jupiter masses, respectively, which set upper bounds for dead stars and help re-interpret gas giant interiors as they evolve into life-hosing worlds.

Age of the Living Dead: Personality Rights of Deceased Celebrities

Deceased celebrities' personality rights extend beyond death, allowing heirs to seek damages for wrongful uses of their personas in films.

On Dead OH/IR Stars

Most oxygen-rich AGB stars pass through the OH/IR star phase more than once, with some dying after a thermal pulse, suggesting that mass loss in these stars often follows thermal pulses.

Bodies of Evidence: Criminalising the Celebrity Corpse

Celebrity corpses, often fetishized as evidence, have become performance artists in mass media and popular culture, educating and entertaining the public about the consequences of recklessly lived lives.

A Phantasmic Experience: Narrative Connection of Dead Celebrities in Advertisements

Using dead celebrities in advertisements can effectively communicate persuasive messages through phantasms, emplotment, and mimesis, as demonstrated by Paul Ricoeur's narrative theory.

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